blkswn
2017“St. Louis funk-rap alchemy that rewrote the rules of melody”
blkswn is a genre-defying debut — Smino raps, sings, scats, and floats over Monte Booker's otherworldly production like nobody's rulebook applies. 'Anita' is a neo-soul anthem disguised as a rap song. 'Blkswn' the title track builds from whisper to crescendo. Every song has its own gravitational pull, yet the album coheres through sheer personality and St. Louis swagger.
Why it ranks here
blkswn is a genre-defying debut — Smino raps, sings, scats, and floats over Monte Booker's otherworldly production like nobody's rulebook applies. 'Anita' is a neo-soul anthem disguised as a rap song. 'Blkswn' the title track builds from whisper to crescendo. Every song has its own gravitational pull, yet the album coheres through sheer personality and St. Louis swagger.
Context
A St. Louis native who moved to Chicago for college, Smino came up alongside artists like Noname, Saba, and Ravyn Lenae — part of a Midwest creative explosion that grew largely outside major-label infrastructure.
Highlights
- Anita
- Blkswn
- Netflix & Dusse
- Wild Irish Roses
- Maraca
Weak Spots
- 18 tracks is a lot — some deeper cuts dilute the impact
- The experimental approach won't click for everyone immediately
Production
Monte Booker · THEMpeople · Sango · Phoelix
Influence
Helped define the Chicago/St. Louis indie-rap sound — fluid genre boundaries, jazz-inflected production, and vocal performances that treated rap and R&B as one language.
Replay Value
Endlessly rewarding — Monte Booker's production reveals new textures on every listen, and Smino's vocal runs never get old.