Room 25
(2018)“Cosmic jazz rap with poetry in every line”
Recorded in about a month, Room 25 covers the two years after Telefone, including her move from Chicago to Los Angeles and a short, intense relationship. Phoelix produced the whole album, with Luke Titus and Brian Sanborn, in a cosmic-jazz and neo-soul style, and Noname raps with more bite than before, from the pointed opener "Self" to "Blaxploitation" and the posse cut "Ace" with Smino and Saba. Pitchfork named it Best New Music, it averaged 93 on Metacritic, and it placed seventh in the Pazz & Jop critics' poll.
Why it ranks here
Recorded in about a month, Room 25 covers the two years after Telefone, including her move from Chicago to Los Angeles and a short, intense relationship. Phoelix produced the whole album, with Luke Titus and Brian Sanborn, in a cosmic-jazz and neo-soul style, and Noname raps with more bite than before, from the pointed opener "Self" to "Blaxploitation" and the posse cut "Ace" with Smino and Saba. Pitchfork named it Best New Music, it averaged 93 on Metacritic, and it placed seventh in the Pazz & Jop critics' poll.
Context
Self-released September 14, 2018; unlike Telefone, she has said it was made partly out of financial necessity.
Highlights
- Self
- Blaxploitation
- Prayer Song
- Window
- Ace
Weak Spots
- Her soft delivery can sit under the arrangements
- Only 35 minutes, so a few ideas feel sketched rather than finished
Production
Phoelix · Luke Titus · Brian Sanborn
Read our full Room 25 review →
Influence
Pitchfork later ranked it No. 160 on its list of the best albums of the 2010s, and it cemented her as one of the leading voices in jazz rap.
Replay Value
Very high — the arrangements reward headphones.